Why the original writer of Aladdin is not happy with the remake

adminOctober 13, 2018


The first trailer of the next new version of Aladdin It has many excited fans, but there is at least one person who is a little frustrated by that. Terry Rossio helped write the script of the original 1992 animated classic along with his frequent collaborator Ted Elliot. It turns out that he is not as excited as he might be to see that his work receives live action treatment. It seems that although the remake is taking some elements literally word for word from the previous version, the original writers do not receive any compensation for their work.

As expected, many are curious to know why the creators of the original work do not receive compensation of any kind. In some tracking tweets Ted Rossio explains that animated films are not covered by the Writers Guild of America and, as such, there is no structure to compensate the original writers of a work that is being remade. As such, everything the writers get is what was agreed upon at the time of the original contract, which, since no one had conceived the idea of ​​doing live action remakes at that time, is not covered by the agreement reached.

Rossio's comment that even getting a pass to the park is not even a joke. At one point of the thread, he says that he literally asked for a pass as compensation, it seems that he and other writers asked the studio something in the past, due to the company's new focus on these remakes, but it was rejected.

The fact that the WGA does not cover the writers of animated films is seen as an important oversight that needs to be addressed. While there are differences between animated and live action movies, script writing is not really one of them. The script for 1992. Aladdin It could have been the script for 2019 Aladdin and the writing process would not have changed for the writers.

With Disney having already made several animated films into live action movies, and there are many more on the way, one wonders if Disney itself could blur the line enough for the WGA to take action.

As regards Disney's unwillingness to compensate the original writers, while the studio may not be contractually obliged to offer anything, it does not seem that anyone is asking about the world. One might think that they could save some tickets to Disneyland for the writers and their families. Anyway, they will end up buying merchandise and food, Disney would still get ahead in the deal.

For the record, while the IMDB page for the next remake gives the four scriptwriters of the original credit) Rossio and Elliot, along with directors John Musker and Ron Clements), the script of the remake is credited to John August and the director Guy Ritchie and nobody else.


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