You do not have to be a big fan of horror movies to be familiar with the trope of the "ultimate girl"; You know, when a woman (typically young, virginal) is still the last one standing after a murderer murders everyone around her. It has been seen in movies that range from Shout to Alien to Friday the 13th, but many argue that one of the first "final girls" was Laurie Strode (Jamie Lee Curtis) in 1978 Hallowe'en. For decades, critics and fans have discussed the message about women's empowerment in the film and praised the character of Laurie as a feminist heroine, but when I talk to Curtis on a recent day in September, she tells me we've all been wrong .
"The film has generated 1000 doctorates, but … in retrospect, I know that was not the intention here, it was not a feminist statement, it had nothing to do with the fact that the promiscuous girls died and the virgin lived, none of them that, "says Curtis. "A lot of people say that the intention was something else, and I'll tell you that it was not."
The words of the actor could surprise some, considering how much, as Curtis points out, has been written about the supposedly open feminism of Hallowe'en and its various sequels. But she is convinced that, while people can take what they want from the cinema, Laurie was written in a direct way that, at least in the original film, had nothing to do with her genre.
"It was written as an emotional journey of a very vulnerable girl who was chosen as the central point of this story, where this vulnerable creature collides with pure evil, and is an archetype of this vulnerable young dreamer," Curtis explains. "I do not think there is an intellectual analysis attached in the least."
That said, the last installment of the franchise. is Intentionally feminist, no one disputes. Hallowe'enOctober 19 is a direct sequel to the 1978 film, starring Laurie de Curtis 40 years after surviving the Michael Myers murder spree. Still suffering from severe post-traumatic stress disorder ("it was a very honest way to talk about about 40 years of trauma," says Curtis from the script), Laurie has forced relations with her daughter, Karen (Judy Greer), and her teenage granddaughter , Allyson (Andi Matichak) – but the trio joins when Michael escapes from a mental institution and pursues Laurie once again. However, unlike the first movie, Laurie is not a helpless victim here; he has spent years training physically and mentally for a confrontation with Michael, and has equipped Karen and Allyson to do the same.
For Curtis, playing Laurie in these different stages of her life has been an emotional journey, and although the personality of the character has changed throughout the 40 years, the actor's feelings towards her have not. "[TheythinkLauriewithalotoflove"explainsCurtis"MuchgratitudeforhisabilitytorecoverandenjoyhimselfandthefactthathecouldinterpretawomanveryintelligentlyandarticulatedIamsothankfulandthankfulforherandalwaysexpectherandalwaysdoso"[IthinkofLauriewithalotoflove"explainsCurtis"AlotofgratitudeforherresilienceandherstrengthandthefactthatIgottoportrayareallysmartarticulatewomanI'mgratefultoherandofcourseIloveherandalwayshaveandalwayswill"[PiensoenLaurieconmuchoamor”explicaCurtis”MuchoagradecimientoporsucapacidadderecuperaciónysufuerzayporelhechodequepudeinterpretaraunamujermuyinteligenteyarticuladaLeestoymuyagradecidaYporsupuestolaamoysiemprelaheamadoysiempreloharé”[IthinkofLauriewithalotoflove”explainsCurtis”AlotofgratitudeforherresilienceandherstrengthandthefactthatIgottoportrayareallysmartarticulatewomanI’mgratefultoherandofcourseIloveherandalwayshaveandalwayswill”
In 2017, Hallowe'en co-writer Danny McBride told Yahoo Movies that he and director David Gordon Green started working on the script without knowing if Curtis would be on board to repeat his iconic character. But, of course, they wanted the actor to be in the role again, so they worked to "really make that Laurie Strode character something she could not say no to", turning her into a complex and convincing human being. Clearly, her efforts worked, but when I tell this story to Curtis, she just laughs.
"Well, that sounds like bullsh * t," she says. What currently He convinced her to play Laurie again, it was an early scene in the movie in which Allison, in search of a change of clothes, enters her room and opens the door to the same closet, complete with that naked light bulb, which it terrifies Laurie. She hid in all those years.
"And I have that for me," Curtis explains. "Because I knew we were talking about a 40-year sequel, and the way it opened was when my granddaughter ran through Haddonfield and went up to her room to change her school clothes and open the blinds. The closet door, which 40 years ago, was crouching, with that naked bulb, which lit up and then went out, and then Michael Meyers had the knife and all that. I thought it was such an intelligent way of putting us back in the closet 40 years later. "
Curtis has an obvious love for the franchise, but that does not mean the actor is already thinking of playing the character once again; although it has been reported that Hallowe'enThe writers have ideas for a sequel (and the end of the movie leaves a lot of room for one), when I ask Curtis if she would be ready for a follow-up movie, she explains that she is busy concentrating on the present, like, the very I presented.
"You know what, all I know is that I've eaten half a box of M & Ms peanuts during the course of our conversation, and I'm happy to be in this movie," she says, as naturally as possible. . "Today I'm in Austin, Texas, in a tower eating peanut M & Ms and talking to you, I have no idea what it will bring tomorrow, I hope not a box of peanut M & Ms."
Let Curtis do it as pragmatically as possible, either Hallowe'enMessage or your snack preferences for the next few days.