Tekashi 6ix9ine's Disjointed & Dummy Boy & # 39; is a failed pop-crossover bid

adminNovember 28, 2018





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PHILADELPHIA, PA – SEPTEMBER 01: Tekashi 6ix9ine performs at Rocky Stage today 1 of 2018 Made in America Festival at Benjamin Franklin Parkway on September 1, 2018 in Philadelphia, Pennsylvania. (Photo by Zachary Mazur / FilmMagic)Getty

You can take away his freedom, you can delete his social media privileges, but you can not remove the Tekashi 6ix9ines sense of humor. The 22-year-old Brooklyn rapper-born Daniel Hernandez released his debut studio album, Dummy Boy, on Tuesday (November 27), after exposes it is due to his November 18th arrested on racketeering and firearms. The rapper, previously identified as part of New York's Nine& nbsp; Trey Bloods gang, comes & nbsp; Tantalizingly almost shouts out "Tr3yway" on his new album – but he smirkingly cleans himself every time, and chooses to throw his mouth about something else. & nbsp;

Dummy Boy & nbsp;coming only nine months after 6ix9ine's debut commercial mixtape, Day69: Graduation Day, and it is clear that he desperately wants to & nbsp; cross to popstardom. But the rainbow malcontent has not yet achieved this crossover status, and it seems that he knows it. & Nbsp; Consequently, 34-minute, 13-song & nbsp;Dummy Boy & nbsp;Feels like two separate albums. It's packed with the distorted minimalist beats and red-in-the-face scream that first landed 6ix9ine on the Billboard Hot 100 with its breakout single "Gummo," but it also has several excursions to Auto-Tuned pop rap and polished & nbsp; Latin trap. The result is a scattershot album that sounds & nbsp; you turn ambitiously, & nbsp; formulaic and most damnation of all kinds of boring.

6ix9ine would have been better in its comfort zone. & Nbsp; Opening Track & nbsp; "stoopid" & nbsp; have any of & nbsp;Dummy BoyThe most explosive, immediately catchy hit and percussive, song-song rap. Fellow Brooklynite Bobby Shmurda, currently serving a seven-year prison traffic, delivers a red-hot verse, recorded over the phone, which interpolates her own 2014 hit "Hot N *** a." It's an exciting feature, mainly because Shmurda comes in and comes out quickly, eating up the track without overshadowing 6ix9ine.

The same can not be said elsewhere. 6ix9ine's watery vowel quickly gives way to a dull Nicki Minaj verse that dominates the last two-thirds of their abominable hit single, "Fefe. "He drowns in cloying Auto-Tune on melodic rap downers" Tic Toc "and" Feefa, "& nbsp; like the infinite looped guitars & nbsp; licks let listeners know & nbsp; these are & nbsp;serious & nbsp; singer. But 6ix9ine is missing & nbsp; the range of introspection or sentimentality, making these performances unauthorized. The rapper acts as a player of two almost identical, back-to-back & nbsp; Anuel AA cooperation, "Bebe" and "Mala." It's a spectacular sequencing error that stops & nbsp;Dummy Boys momentum on its halfway, and it is evidence that the Latin fool will not waste its time trying to adopt 6ix9ine.

Dummy BoyThe best collaborations do not try to dilute 6ix9ine vocal delivery; Instead, they take a page out of the mid 2000s of the screamo playbook by keeping the healthy hooks and screams as far apart as possible. It works & nbsp; refreshingly good at "Kika," thanks to Tory Lanez's earworm choir and 6ix9ine tight rods. ("I'm blowing it, now you're there Bobby Shmurda's hat went"is one of the album's stronger punchlines.)" It's f *** in the Trojan! & Nbsp;It's f *** in "Target!" Lanez shouts on the song's unfaithfulness before he cares in laughter as he tries to not name Tr3yway. & Nbsp;

Not surprisingly, & nbsp;Dummy Boy & nbsp;works best like loud, stupid fun. Kanye West proves tremendously raging & nbsp; "Kanga," which interpolates A $ AP Rocky's "F *** in" Problems "& Nbsp;and & nbsp;Kelis & # 39; "Milkshake" in just over two minutes. The West and Minaj also appear on "Mama" to reduce the return. Both rappers phones in their verses on woozy, by-the-numbers traps banger and asks the question: What business do these superstars have babysitting and a rapper half of their age? It's either a shameless attempt to piggyback off its commercial hot strip in light of its own last career blunders, or a poorly perceived recommendation of a friend with a & nbsp;controversial track record. Vest and Minaj would both do well to refrain from a rapper who committed himself to the use of a child in a sexual performance and is now in prison for his violent past. They would also do well not to deliver mediocre performances on just mediocre songs.

For all its bluster, & nbsp;Dummy Boy & nbsp;Does not end up with a bang, but a nap on the darkest "Dummy." It's a remix of TrifeDrew "Stuck in Dubai, "but 6ix9ine still only appears & nbsp; in the last 30 seconds of the song. It is located Dummy Boybiggest mistake: 6ix9ine is repeatedly switched off by its employees & nbsp; and sounds like a & nbsp; visitors & nbsp; on his own album. The young rapper tries to share the difference between his worn, streetwise roots and big budget arena rap drama, and replenishes & nbsp; both. & Nbsp;Dummy Boy & nbsp;should be 6ix9ine's commercial and artistic breakthroughs. Instead, it's the least interesting thing about his life right now.

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PHILADELPHIA, PA – SEPTEMBER 01: Tekashi 6ix9ine performs at Rocky Stage today 1 of 2018 Made in America Festival at Benjamin Franklin Parkway on September 1, 2018 in Philadelphia, Pennsylvania. (Photo by Zachary Mazur / FilmMagic)Getty

You can take away his freedom, you can delete his social media privileges, but you can not remove the Tekashi 6ix9ines sense of humor. The 22-year-old Brooklyn rapper-born Daniel Hernandez released his debut studio album, Dummy Boy, on Tuesday (November 27), postponed it because of his 18-year-old arrested arrest and firearms. The rapper, previously identified as part of New York's Nine Trey Blood's gang, comes tantalizingly near to shout out "Tr3yway" on his new album, but he smirkingly seals himself every time, and chooses to throw his mouth about something else.

Dummy Boy coming only nine months after 6ix9ine's debut commercial mixtape, Day69: Graduation Day, and it is clear that he will desperately cross to popstardom. But the rainbow-hard malcontent has not yet achieved this crossover status, and it seems as though he knows it. Consequently, the 34-minute, 13-song Dummy Boy Feels like two separate albums. It is packed with the distorted minimalist beats and red-in-the-face screams that first landed 6ix9ine on the Billboard Hot 100 with its breakout single "Gummo", but it also has several excursions for Auto-Tuned pop rap and polished Latin trap. The result is a scattershot album that sounds on the swing ambitiously, formally and most damaging of all sorts of boring.

6ix9ine would have been better to live in its comfort zone. The opening track "Stoopid" boasts off Dummy BoyThe most explosive, immediately catchy hit and percussive, song-song rap. Fellow Brooklynite Bobby Shmurda, currently serving a seven-year prison traffic, delivers a red-hot verse, recorded over the phone, which interpolates her own 2014 hit "Hot N *** a." It's an exciting feature, mainly because Shmurda comes in and comes out fast, eating up the track without overshadowing 6ix9ine.

The same can not be said elsewhere. 6ix9ine's Vocal Vocal quickly gives way to a dull Nicki Minaj verse that dominates the last two-thirds of their abominable hits, "Fefe". He drowns in cloying Auto-Tune on melodic rap downers "Tic Toc" and "Feefa," as the endless looped guitar licks let listeners know this is serious songs. But 6ix9ine lacks the scope for introspection or sentimentality, making these appearances unauthorized. The rapper acts as a player on two almost identical, back-to-back Anuel AA collaborations, "Bebe" and "Mala." It's a spectacular sequencing error that stops Dummy Boys momentum on its halfway, and it is evidence that the Latin fool will not waste its time trying to adopt 6ix9ine.

Dummy BoyThe best collaborations do not try to dilute 6ix9ine vocal delivery; Instead, they take a page out of the mid 2000's screamo playbook by holding the sung hooks and screaming the verses as far apart as possible. It seems refreshingly good at "Kika", thanks to Tory Lanez's earworm choir and 6ix9ine tight rods. ("I'm blowing it s ** t, now where Bobby Shmurda has had") is one of the album's stronger punchlines. "It's f *** in the Trojan! It's f *** in & # 39; Target! & # 39; Lanez shouts at the song's outro before he breaks in laughter as he tries to not mention-releasing Tr3yway.

Not surprising, Dummy Boy works best like loud, stupid fun. Kanye West shows on sleazy rager "Kanga", which interpolates A $ AP Rocky's "F *** in" Problems " and Kelis & # 39; Milkshake in just over two minutes. Vest and Minaj also appear on "Mama" to reduce the return. Both rappers phones in their verses on the woozy, by-the-numbers catching bangles, begs the question: What business do these superstar babysitter have a rapper half of their age? It's either a shameless attempt to piggyback off its commercial hot strip in view of its own recent career blunders, or a poorly perceived approval of a friend with a controversial track record. Vest and Minaj would both do well to refrain from a rapper who committed himself to the use of a child in a sexual performance and is now in prison for his violent past. They would also do well not to deliver mediocre performances on just mediocre songs.

For all its bluster, Dummy Boy Does not end up with a bang, but a nap on the nasty "Dummy". There is a remix of TrifeDrew's "Stuck in Dubai", but 6ix9ine still appears only in the last 30 seconds of the song. There it is Dummy BoyThe biggest mistake: 6ix9ine is repeatedly turned off by its employees and sounds like a visitor to their own album. The young rapper tries to share the difference between his weary streetwise roots and big budget arena rap drama, which then fails in both. Dummy Boy should be 6ix9ine's commercial and artistic breakthroughs. Instead, it's the least interesting thing about his life right now.



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