Review of Robin Hood: Taron Egerton stars in boring revisionist history

adminNovember 20, 2018

Taron Egerton, Jamie Foxx and Ben Mendelsohn are powerful charismatics, but they can not save this shameful shock of a history of origin.

This year has seen a handful of films as bad as the new revisionist Otto Bathurst, "Robin Hood", but none of them, or "Mile 22" or "The murders of Happytime" or the "Death of a nation" of Dinesh D & # 39; Souza. "- they have been more in denial of their own evil. If nothing else, this accident, hilarious and silly shock of a history of origin, definitely has the courage of his convictions. Unfortunately, the film is not smart enough to admit that its convictions are silly, and it does not have the assets to back them up in the first place.

Prepare for an "avant-garde", modern (but not modernized) story of a really old myth that opens with a voice-over that instructs viewers to "Forget history, forget what you believe, forget what you know" , before launching to a blockbuster. Derived that other counselors should receive their waste. Gird up your loins for a wrong attempt to take advantage of the public domain that takes your great idea: what if we market the class war of the fifteenth century to the millennials? – and leans on it so hard that the film begins to feel less like Robin Hood than a spinoff "Riverdale" castrated for Bernie bros (it's always fun to see a brazen product of the capitalist machinery try and sell itself for socialist ideals).

"Robin Hood" is ridiculous from the moment it starts, although the charisma of its cast and the absurdity of its action are enough to maintain interest for a while. The first thing you have to realize about this new riff in a historical hero is that basically it's just Batman, minus the compelling background story; Pair for the course in a movie where all it could be described as "basically just Batman, without the compelling story". Performed by the "Kingsman" star Taron Egerton (a talented actor whose deceptive madness confuses a real character), young Robin is the most eligible bachelor in the world. The whole kingdom. Robin, a loaded orphan who lives in a giant hatchery above a mining town, spends his time disguising himself as a thief and perfecting his "Assassin's Creed" cosplay while hiding among the local stables. Does he steal from the rich and give to the poor? Unclear For the most part, he seems interested in stealing hearts, especially in Marian (Eve Hewson, so anonymous here as exceptional in "The Knick").

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Unfortunately, just after things become romantic, Robin receives a draft notice for the Crusades. Literally, someone sticks a piece of paper on their door that says "Draft Notice" in large letters, which would feel bad even if that's how people became Crusaders (which it definitely was not). It is the first of many regrettable cases in which Bathurst, a boy known for leading the pilot of "Black Mirror" and the first season of "Peaky Blinders", tries to superimpose a modern brightness to medieval times.

When Robin's unit leaves Gotham and is ambushed by archers in the desert, Bathurst triggers the action as if it were an incoherent deleted scene from "American Sniper." , the war in Iraq is so evident that you almost expect Robin to complain that he was sent into battle without an exit strategy; to this end, it may be appropriate for the special effects to appear to be from 2003.

The idea, of course, is that time is a flat circle, and the powerful will always take advantage of the dispossessed unless someone gets up to match the score. The same thought has propped up several other films (the recent example of Baz Luhrmann's "The Great Gatsby" comes to mind), but here it feels silly and tense. Things only get worse after Robin returns to England with a stowaway in the hold of his ship: a Saracen wrestler (Jamie Foxx, in a discouraging role of black magical mentor), whose son Robin had tried to save from execution.

Marian, thinking that Robin died in the Crusades, has accepted a job at the mine, where she feeds the workers while wearing mascara and a series of leather jackets that she seems to have stolen from the "Gossip Girl" set. memorable line? A stolen quote from a Jewish scholar of the first century. Is it because screenwriters Ben Chandler and David James Kelly could not bother writing their own generic talks, or is it an illustration of how the past can wrap the present? Let's say generously that they are both.

And then there are the men in Marian's life. First of all, a new double-faced lover played by Jamie Dornan, and all you need to know about his character is that naming him "Harvey Dent" would have violated the copyright law. Meanwhile, the sheriff and corrupt Sheriff of Nottingham (Ben Mendelsohn, acting with the best ways) is not good, conspires with the Catholic Church and against ordinary people while talking about foreign caravans in Arabia. "I am law and order, here!", Barks. It's enough to remind you how much more terrifying Donald Trump could be if he were a handsome middle-aged man who could actually put some sentences together without embarrassing the entire human race.

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Naturally, just a few training mounts later, Robin becomes the leader of #Resistance. He calls himself "The Hood" and inspires the lower class to get up by firing a barrage of arrows at everything that moves. Egerton's archery skills are incredibly impressive, but they are augmented by coarse effects and obscured by pieces so erratic that it is difficult to understand when they started, let alone why they are happening. Even for the spectators receptive to the ridicule of work at work, "Robin Hood" is too complicated to enjoy; There is nothing wrong with a fierce chase on horseback through a mine and along the parapets that run above it, but the sequence is halfway through at the moment you can even tell it is in March.

There is no flow for combat, no sense behind the acrobatics and there is no reason to invest in any of the empty noises that surround them. "Robin Hood" simply sucks between boredom and absurdity so fast that it constantly begins to provide both at the same time. By the time Mendelsohn threatens to boil someone in his own urine, you'll be too bored to worry if he really goes ahead (spoiler alert: he does not). There is an unequivocal relevance in any story that reiterates how those in power, the white establishment, should be at the forefront of the struggle for change. As someone in the film says: "What we are born is not always what we are".

I wish this anti-establishment action saga was not so in love with the establishment that it says to despise. I wish it were not so desperate to be the basis of a cinematic universe that treats Little John by meeting Friar Tuck (Tim Minchin) as if they were in the post-credits scene of a Marvel movie, as you're supposed to have a chill down by his thorn upon seeing a murderous Moor befriending a maniac cleric. Chandler and Kelly do their best to prepare a sequel, but even more incredible is how the film really seems to believe that people might want to see where this story is going.

Grade: D

Lionsgate will release "Robin Hood" in theaters on November 21.

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