Met Costume Institute adopts 'Camp' for the Blockbuster Show 2019

adminOctober 9, 2018



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How can one follow the most visited Costume Institute show in the history of the Metropolitan Museum of Art, one of the three most visited exhibitions in the world, one that addressed the sacred questions of God, biblical allusion and religious ornamentation? How does one of the "Celestial bodies: fashion and the Catholic imagination" stand out?

With, apparently, a face to face with the profane.

On Tuesday, the museum announced its main exhibition of the Costume Institute for 2019: "Camp: Notes on fashion", a work from the 1964 essay by Susan Sontag "Notes on the" Camp, "the 58-point treaty that possibly took the concept to the mainstream. and helped make Sontag a literary celebrity. "The essence of Camp is his love for the unnatural: of artifice and exaggeration," he wrote in Partisan Review, at a time when the frontier between elite art and mass culture was disintegrating.

Cut to 2018. "We are going through a period of extreme camp, and it seemed very relevant to the cultural conversation to see what is often dismissed as empty frivolity, but in reality it can be a very sophisticated and powerful political tool, especially for cultures marginalized, "said Andrew Bolton, the curator in charge of the Costume Institute, who said he had been exploring the idea for the past several years." Whether it's a popular camp, a queer camp, a high camp or a political camp, Trump is a very figure of the camp, I think it is very timely. "

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