The events of the seventh day at the Cairo International Film Festival hosted a series of events on Monday, starting today with a lecture entitled "Product's creative role, even in economy and budget", presented by the German film academy's member Roshanak Behisht Nedjad.
"Who is a producer? Is he finance?" The protector of artificial fever? Do not know the manufacturer should also have money, the manufacturer must start organizing his work until he reaches his desired goal, "says expert Roshanak.
"In order for the producer to succeed in his project, he must divide production costs and disassemble the small numbers, buy the rights to the offer and pay the fees to the author and director and advisors to produce the first version and we must listen to all the experts' views and here we talk about the preparation stage and then talk about the photograph. "
She explained the difference between the distributor and the agent and the duration of the purchase of the rights to a film in the Arab region or internationally. She said that the agent achieved the international rights of the film for five to twenty years, while the distributor has the right to present the film for a certain period within the territory, such as the Middle East region. Here is the difference between distribution costs in Egypt and the Middle East for Tunisia and Morocco, which happens in Germany and other countries.
Regarding the role of the Arab producer, a member of the German film academy confirmed that the Arab producers left the family and children of the cinema and the American drama did not give a story to the children or an attractive idea to make them revolve around their product, and some called Turkish and Russian work that started reaching the family and Arab children At a time when Arab producers have not yet done what is worth their attention, even though they have children and know what they care about.
A press conference was held for members of the festival's judging committees, which started with members of the referee panel in the "Cinema of Tomorrow" contest for the programmer, German university professor Cathy de Han and Algeria filmmaker and scriptwriter Karim Moussaoui.
Kathy De Han, director of the Cairo International Film Festival and his team, thanked the cinema photographer Mohamed Hafizi and his team for their efforts at the festival. She praised the role of critic Andrew Mohsen, director of the Al Ghad Cinema Program and his good choice for the films that participated in the competition.
She explained that her presence at an international festival of over 40 years and the judging committee for one of her contests is a difficult responsibility, as it is a carnival that attracts the attention of filmmakers worldwide. She noted that she enjoyed seeing a large number of films from Africa and the Arab world. "By Hala Khalil and" No One There "by Ahmed Magdy at the International Critics Week.
Moussaoui said he was pleased with his first visit to Egypt. He emphasized that the Cairo Film Festival is the reference to all Arab festivals.
He pointed out that the competition committee committee had great knowledge and achieved a diverse program of cultures and issues "concerned with humanity".
De Jahn said that the task was difficult, but that the different experiences of jurors, both in acting, director and programming, helped to select the winning film. Moussaoui also said that he was always waiting for the price. Of the movie that surprises him and introduces something new and different.
The movie "One Day" at the Grand Theater, the film "The State Against Mandela and Others" was shown in the theater, "Anna and the End of the World" at the Center for Artistic Creativity.
The state film against Mandela is the birthplace of Nelson Mandela, the center of the world's attention through its historical trial in 1964 and 1963. Eight others met the death penalty and were subjected to strenuous interrogations, but without exception they stood and turned the situation down with the state, they set apartheid in south africa in the pier.
Film director Nicolas Shambou said the film had been prepared for two years and started filming in 2017 after hard preparation, explaining that before preparing for the movie you had to listen to hundreds of recordings of the trial because the idea of the film is based on it.
A seminar was held for Alberto Barbera, Director of the Venice Festival at Hanager Theater. "The traditional cinema market is becoming a contract, and everyone is well aware of the problem of low target size. This is a global phenomenon," he said. "The reason for this is due to the availability of movies online. It's easy and convenient to choose a movie. Of more choice and much cheaper.
"I think the showrooms can disappear, so those responsible should change their way of showing."
A panel discussion entitled "Stronger production alliances between the Arab world and Europe" was also held. The movie "Amin" in the Grand Theater, "The Clay Hole" at the Center for Artistic Creativity, "The Translator" in Hanager Cinema, "Maryam Lied" at Hanager Theater and a lecture of ".
The film was completed with Sofia in the small theater Ali Kaf Afriq at the Center for Artistic Creativity, Dead End in the open theater, and the Al Ghad Cinema 4 program in the Al Hanager Cinema.
He finished with the screening of the movie "On the Door of Eternity" at the Grand Theater, "Ghanak" in the small theater "3000 Nights" at the Center of Artistic Creativity, "The Queen of the Carpathians" in Hanager Cinema, Open Theater.