Finally, the new Polnareff catches between annual festivities and pieces

adminNovember 30, 2018

CRITICAL – After almost three decades of waiting, the singer's new album is released this Friday. A happy tote crossed by the desire to fight against this incomparable melody.

At the exit of Kama SutraIn 1990, François Mitterrand was still president of the French Republic. Michel Rocard was at Matignon, Cyrano from Rappeneau and Nikita Luc Besson competed for box office favors and Bye Marilou looped on the FM band. Almost thirty years later, the situation has changed. Emmanuel Macron is on the Elysée and the yellow bees under his windows, which mobilizes the news. After a long absence, barely interrupted by a handful of singles and two successful tours, Michel Polnareff delivers "Finally!" Tenth solo album of a career started in 1966.

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River album promised for several years, titled "Finally!" With a lot of self-writing, we went through more transformations before they came to us. The end result is the result of Californian studio sessions. With the participation of old backpackers by the studio (Tony McAlpine, Jimmy Johnson, Curt Bisquerra) the sound is very American. The album shown on Barclay is an iconoclastic catch-all where there are nice surprises and sometimes even snares.

The adventure has a good taste to open on an ambitious and inflated instrument that shows Polnareff's easy to establish climate. Some plays the punch, and the general mood is playful and combative. Soul brass, electronic synths, metal guitars, tongs, disco pulsations and other colors populate Polnareff's phantasmagorical universe. If he wrote several titles on his only pen, he also worked with the excellent Doriand, especially on the beautiful and classic Do not growas clean and touching as vintage Polnareff. Ophelia Fragrant Beds and The man in red, issued in 2006 and 2015, are entitled to a new chance under new shine.

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Very rock, with a text that plays with humor on the pangs of the empty side, longtime is perhaps the most successful piece of the record, with an unstoppable melody and rhythmical race-hunting. The album, messy like a child's room that does not know where to put their toys, is crossed by a rare force and energy. Happy Earth shows the interest of the singer for conservation of the planet when other texts are more personal, even ugly to someone (positions, Sumi, Ophelia Fragrant Beds). In its way of abolishing hierarchies between writing and composition styles, this album is often in line with today's listening habits. In your playlist, placed in the second last position, Polnareff welcomes the loyalty of the audience whose patience was tested by the long wait that this record is often discarded and that he discovers … Finally!

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